Guitar Lessons & …

Walbum - Week X

November 12th, 2006

Monday:
There is a famous quote that I can’t remember right now. It goes something like: “We always write the same tune over and over again”, or maybe: “We only have one song in us that we keep trying to write correctly”. Eh, they both sound terrible when I try to phrase it. Either way, I’ve got a handful of song fragments right now and amazed at how much they sound like each other. I’ve been working on spread voiced triads for a couple months and they are showing up in just about every tune. I feel like I’m writing spread voiced etudes.

In the writing process, I’m getting stuck on melodies. I’m bored with my own ideas. I have the same problem with improvising (which I’ll have to look at soon enough). Everything I write sounds like a children’s song. And not that there’s anything wrong with that, it’s just I’d like things to sound a little more sophisticated at times.

Tuesday:
I’ve written a tune that reminds me of Celion Dion’s hit from Titanic (I can’t remember the title right now). As I’m writing the chords and melody I feel like I’m drawn into a black hole of soft-pop cheesiness. Help!

Saturday:
My Celion Dion tune has developed. It still needs some work, but it no longer makes me feel uncomfortable when I play it. I’ve been really busy this week, so I’ve been spending the precious free time I have (in between lessons and gigs) playing over some ideas. I wrote out some drills for the tunes I’m working on in the hopes that they will help unearth another creative idea.
I’ve got work to do.

One Response to “Walbum - Week X”

  1. Jules Says:

    You’re right, it can feel like you only have one song… maybe that’s why there have been so many one-hit-wonders… they can’t come up with anything different to follow up their first hit…

    In terms of writing, I think there has to be simplicity and complexity in every work. Something that is quite complex melodically and harmonically is often best kept simple rhythmically, otherwise the brain can’t focus on what to listen to. And conversely, with groove-based stuff where the rhythm is king, the melody and harmony take a backburner…

    I think as musicians, we tend to be too analytical with our writing process. The writers I know who don’t know about theory seem to come up with good ideas, the finished product is good, because they start with a simple structure, and expand it later in the studio… what do you think?

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This is the Personal & Professional Blog for Brendan Burns